Motivation logo

The Button

The Therapist's Room

By Teena Quinn Published about an hour ago 9 min read
The Button
Photo by Womanizer Toys on Unsplash

The Button

There are grand victories in life, of course.

People love those. The big, shiny ones. Promotions. Weddings. Marathons. Televised proposals involving drones and violinists. Entire industries are built around making ordinary people feel underachieving because they have not yet climbed a mountain, written a memoir, or launched a candle business in Byron Bay.

But the real victories, in my experience, are usually smaller and much less photogenic.

They happen in places like the therapy room, while the kettle is beginning its familiar hiss and the Arnott’s biscuit tin with the parrot on the front is sitting on the table like a trusted aunt who knows better than to offer advice unless asked.

They happen while the chickens are outside carrying on as if the yard belongs to them and they are merely tolerating my presence.

They happen while the elephant stands in the corner, quiet as old knowing, visible only to those with enough bruising in the soul to recognise him.

This particular victory arrived on a Thursday, which is never a dramatic day. Tuesday has the edge. Friday has promise. Thursday is a waiting room in shoe form.

She came in flustered.

Not dramatically flustered. Not the sort that sends crockery flying or causes a person to announce they are leaving their husband, shaving their head, and moving to Darwin. No, this was the common sort of flustered. The tired, ordinary, humiliating kind. The kind women carry in handbags and behind their eyes.

She sat down carefully, as if her body had become something she no longer quite trusted.

I made tea.

That is not a solution to all problems, despite my private theology on the matter, but it does give people something warm to hold while they tell the truth.

She looked at the tea as if it might ask too much of her.

Then she said, very quietly, “I did my own bra up today.”

There it was.

That was the victory.

No trumpet. No confetti. No brass band marching through the hallway. Just that one sentence set down between us like a pebble.

I nodded, because one must never frighten a small victory by rushing at it.

Outside, one of the chickens flung herself indignantly at a moth she had no hope of catching. The elephant, from his corner, said nothing, which is his way when he thinks something important has entered the room.

“I know it sounds stupid,” she said.

Now, that is a sentence I hear often. It usually means the opposite.

People say it before telling you the thing that matters most. They say it before admitting they are lonely, or angry, or scared, or that they stood in the laundry and cried because all the socks felt like too much.

Nothing important ever arrives announcing itself properly. It shuffles in wearing slippers and apologising for the inconvenience.

“It doesn’t sound stupid,” I said.

But she had already turned inward, as people do when they are standing near some old place of shame.

“You know how ridiculous that is, don’t you?” she said, trying to laugh. “A grown woman, nearly in tears because she did her own bra up.”

I have long believed that there should be far less confidence placed in the phrase grown woman, because very often what it means is a person who has had no choice but to keep going.

The world says if you are an adult, you should manage. Pay your bills. Reply to messages. Fold your washing while listening to podcasts about abundance. Rise above adversity with a positive attitude and a coordinated pantry.

And yet, half the population is quietly coming undone because their body hurts, or their mind won’t sit still, or they are carrying the weight of three other people’s needs while pretending this is merely what capable women do.

No one hands out medals for enduring ordinary life while unwell.

No one throws a parade because you showered without help, answered an email, or remembered the chicken thighs in the freezer before they achieved sentience.

But maybe they should.

She wrapped her hands around the mug.

“I haven’t been able to do it for weeks,” she said. “My shoulder’s been so bad. Every morning I just stand there and have to ask for help. Or wear those awful crop tops that make me feel like I’ve given up on life.”

Now that, I thought, is the kind of detail that deserves its own literature.

Not crop tops, specifically, though there is a dissertation to be written on the decline of proper undergarments. I mean the quiet indignities. The thousand small concessions a person makes when their body or mind stops cooperating. The substitutions. The compromises. The things they do not even realise they are grieving because none of it sounds important enough to say aloud.

Until one day, they say it over tea.

“I put it on myself,” she said again, softer this time. “I stood there and thought, hang on. I’ve just done that.”

And that was when the thing changed shape.

Because it had not only been about a bra.

Of course, it had not.

Small victories are almost never about the thing itself. They are symbols in cardigans. Messengers wearing practical shoes. They turn up carrying news from deeper places.

The news, in this case, was not that I have conquered lingerie.

The news was that I am not entirely gone from myself.

That is different.

That matters.

I leaned back in my chair and let the silence do some of the work. Silence, when handled properly, is not absence. It is a room.

She stared into her tea. “It made me feel ridiculous for being so happy about it.”

“Why?” I asked.

She shrugged. “Because it’s so small.”

I looked towards the biscuit tin. The parrot on the front seemed unsurprised by any of this. He had seen things. The Arnott’s parrot never judges. He simply witnesses human collapse and recovery with the stoicism of a slightly overdecorated saint.

“Small doesn’t mean meaningless,” I said. “A key is small. So is a stitch. So is the first click when a bone starts setting right.”

She smiled at that, though only with one side of her mouth, as if she did not want to give herself away.

Outside, the chickens had gathered near the window in a loose formation that suggested either social concern or organised criticism. One of them peered in with the severe expression of a school principal who has heard rumours.

The elephant shifted his weight.

He appears when people are close to something tender. Not always grief. Sometimes dignity. Sometimes truth. Sometimes the first faint return of a thing they thought they had lost.

She told me then about all the other things.

How she had stopped asking friends over because the house was never quite right.

How she now planned errands according to what hurt least.

How she had begun measuring herself by what she could no longer do without thinking.

How every small inability had attached itself to her sense of worth like burrs on a sock.

That is how it happens, often. Not with one grand collapse, but with a hundred tiny edits to a life.

A handrail here. A cancellation there. A different shoe. A slower stair. A meal left uncooked. A drawer left unopened because it requires two hands and some hope.

Then, before long, a person begins living around themselves.

And when they do manage one small thing again, something they used to do without thought, the world says, Is that all?

But the nervous system knows better.

The body knows better.

The soul, especially, knows better.

She laughed then, really laughed, when I said, “Frankly, I think the bra deserves a certificate.”

That laugh came out rusty, but real.

“Yes,” she said. “A little award.”

I warmed to the idea immediately.

Not because I believe every human endeavour requires laminating, though Australians do enjoy an unnecessary certificate.

But because I liked the thought of honouring the things people survive quietly.

Not the glossy wins. Not the ones fit for LinkedIn, with everyone using words like journey and resilience while selling scented planners.

I mean the proper victories.

Got out of bed before noon.

Answered the phone.

Did not text him back.

Ate something green.

Went to the appointment.

Cried and still folded the towels.

Put on the bra unaided.

These are not minor things when life has become steep.

I gave her a biscuit.

This was not random. A plain sweet biscuit can carry more dignity than motivational speaking. It says: here. You are a person in a chair. The world has not swallowed you whole. There is tea. There is sugar. There is still something ordinary left.

She took it, then said, “You know what’s stupid? It wasn’t even hard today. That’s what got me. I just did it. My arm moved, and I did it.”

I nodded.

Sometimes the body loosens before the fear does.

Sometimes a door has already opened and the person is still standing there with their hand on the knob, too suspicious to walk through.

“That must have felt good,” I said.

She looked down. “It felt like me. For a second.”

Well.

That will do it.

There are sentences that land gently, and there are sentences that enter a room and sit down heavily enough for the furniture to notice.

It felt like me.

The elephant lowered his head slightly.

The chickens, for once, had the decency to move on.

Because that is what the victory had been. Not fastening the fabric. Not shoulder mobility. Not even independence, though that was part of it.

It was a reunion.

A person meeting a part of themselves at the doorway and realising they had not disappeared after all, merely been delayed.

I think this is what people miss when they dismiss small wins. They think the action is the point.

It never is.

The point is what returns with it.

Confidence.

Dignity.

Memory.

Hope, in its least irritating form.

Not the loud sort of hope, not the bumper sticker version. Not the one with sunrise fonts and instructions to live, laugh, or bloody levitate.

I mean the quiet hope.

The one that says perhaps all is not lost.

Perhaps what has been difficult will not always be difficult in the same way.

Perhaps the self is not gone, only tired.

We sat for a while after that, talking about shoulders and sleep and the absurd emotional burden of underwire.

Before she left, she stood by the door and said, almost shyly, “I nearly didn’t mention it.”

“Of course you did,” I said. “It’s the headline.”

She laughed again.

After she went, I cleared the cups, straightened the Arnott’s tin, and stood for a moment in that soft little silence the room has after truth.

The elephant was still there.

Not solemn. Just present.

As if to say, See? This is what I keep telling you. The smallest things are rarely small.

Outside, one of the chickens had found a scrap of ribbon and was charging about with it like she had personally won the Melbourne Cup.

And I thought, yes. Exactly that.

Because a small victory does not look like much from the outside.

It is not glamorous.

No one writes songs about managing to clasp your own bra after weeks of pain.

No one erects statues to the woman who washed her hair, answered an email, put on decent pants, and made it to Thursday.

But perhaps they should.

Or if not statues, then at least poems. Stories. A raised teacup. A biscuit offered with reverence.

A witness.

That day’s victory was small enough to miss if you were the sort of person who only notices fireworks.

But in the therapy room, where the kettle knows more than most people and the Arnott’s parrot has watched generations come apart and mend, we know better.

We know that lives change quietly.

We know that healing often enters through the side door.

We know that some triumphs do not roar.

They click.

A clasp at the back.

A shoulder that lifts.

A woman who pauses in front of her mirror, surprised.

Then smiles, not because everything is fixed,

but because one small, ordinary thing has returned,

and with it,

a little bit of herself.

goals

About the Creator

Teena Quinn

Counsellor, writer, MS & Graves warrior. I write about healing, grief and hope. Lover of animals, my son and grandson, and grateful to my best friend for surviving my antics and holding me up, when I trip, which is often

Reader insights

Be the first to share your insights about this piece.

How does it work?

Add your insights

Comments

There are no comments for this story

Be the first to respond and start the conversation.

Sign in to comment

    Find us on social media

    Miscellaneous links

    • Explore
    • Contact
    • Privacy Policy
    • Terms of Use
    • Support

    © 2026 Creatd, Inc. All Rights Reserved.